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The result is Dalrymple’s unsurpassed masterpiece: a beautifully written travelogue, at once rich and scholarly, moving and courageous, overflowing with vivid characters and hugely topical insights into the history, spirituality and the fractured politics of the Middle East.","brand":"William Dalrymple","offers":[{"title":"Paperback \/ softback Trade paperback (US)","offer_id":42901436170292,"sku":"9780307948892","price":28.0,"currency_code":"CAD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/0320\/4404\/files\/BNCImageAPI_3b4f83e5-6d17-4779-83fa-88f737d07100.jpg?v=1732154162"},{"product_id":"9781400033881","title":"Istanbul","description":"\u003cb\u003eFrom the Nobel Prize winner and acclaimed author of \u003ci\u003eMy Name is Red \u003c\/i\u003ecomes a portrait of Istanbul by its foremost writer, revealing the melancholy that comes of living amid the ruins of a lost empire.  \u003cbr\u003e\u003cbr\u003e\"Delightful, profound, marvelously origina.... Pamuk tells the story of the city through the eyes of memory.\" —\u003ci\u003eThe Washington Post Book World\u003c\/i\u003e\u003cbr\u003e\u003c\/b\u003e\u003cbr\u003eA shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy—or hüzün—that all Istanbullus share. \u003cbr\u003e\u003cbr\u003eWith cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters—both Turkish and foreign—who would shape his consciousness of his city. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.","brand":"Orhan Pamuk","offers":[{"title":"Paperback \/ softback Trade paperback (US)","offer_id":42901439610932,"sku":"9781400033881","price":27.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/0320\/4404\/files\/BNCImageAPI_84d7d409-6911-4a24-8f70-bedd78adb881.jpg?v=1732183373"},{"product_id":"9780141442075","title":"Arabian Sands","description":"\u003cb\u003e\"Following worthily in the tradition of Burton, Lawrence, Philby and Thomas, [\u003ci\u003eArabian Sands\u003c\/i\u003e] is, very likely, the book about Arabia to end all books about Arabia.\" —\u003ci\u003eThe Daily Telegraph\u003c\/i\u003e \u003c\/b\u003e\u003cbr\u003e \u003cb\u003e \u003c\/b\u003e\u003cbr\u003e \u003ci\u003eArabian Sands\u003c\/i\u003e is Wilfred Thesiger's record of his extraordinary journey through the parched \"Empty Quarter\" of Arabia. 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Thrilling, scholarly, powerfully researched, this is Aphra as she’s never been seen before\u003c\/b\u003e' Kate Williams, historian and author of Rival Queens: The Betrayal of Mary, Queen of Scots\u003cbr\u003e\u003cbr\u003e\u003cb\u003e'The Scandal of the Century allows Hilton to showcase her skill for both historical and detective work and compelling, evocative writing . . . compelling to read [and] refreshingly transparent . . . Her fresh ideas could open up exciting paths for future scholars\u003c\/b\u003e’ BBC History Magazine\u003cbr\u003e\u003cbr\u003e'\u003cb\u003eAn enjoyable read . . . challenging - but always entertaining\u003c\/b\u003e' Literary Review\u003cbr\u003e\u003cbr\u003e'E\u003cb\u003engaging, ingenious, lively . . . Hilton skilfully narrates background material of the Restoration'\u003c\/b\u003e TLS\u003cbr\u003e\u003c\/p\u003e","brand":"Lisa Hilton","offers":[{"title":"Paperback \/ softback Trade paperback (US)","offer_id":47140902109236,"sku":"9781405953344","price":22.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0635\/0320\/4404\/files\/BNCImageAPI_0fdb1879-80a6-4a14-8abc-42fb789b9a69.jpg?v=1759290179"},{"product_id":"9781804950005","title":"Every Monument Will Fall","description":"‘An extraordinary intervention. If you want to understand the stakes and the limitations of contemporary conflict over culture and colonial history this bold, provocative book is an indispensable resource’ \u003cb\u003ePaul Gilroy, founding Director of the Sarah Parker Remond Centre for the Study of Race and Racism at UCL\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e‘Hicks’ must-read book describes how it was possible for a human skull to be made into a drinking cup and used in a genteel Oxford college, well into the 21st century, as if empire were an eternal state of nature . . . Read it to learn new ways to be anti-racist, abolitionist and to tell other stories than those commemorated by the monuments that surround us, from statues, to museums and the police’ \u003cb\u003eNicholas Mirzoeff, author of \u003ci\u003eWhite Sight\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e‘Brave and clear-sighted. Hicks opens up an extraordinary conversation between the past and the present. This is a book about falling statues, but so much more. It’s about how we’ve been lied to, and how we can approach the past with honesty. Hicks asks whether history and archaeology should be used to justify actions we know impinge on the rights of others - or to understand ourselves better’ \u003cb\u003eAlice Roberts, bestselling author of \u003ci\u003eCrypt \u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e‘Dan Hicks writes with grace and fierce focus about what we choose to remember and why, in our patterns of thought, our institutions and the built environment in which we live’ \u003cb\u003eEyal Weizman, director of Forensic Architecture\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe culture war is over. If you want it to be. It wasn’t even a culture war; it was a war on culture. A sustained attack, Dan Hicks argues, in the form of the weaponisation of civic museums, public art, and even universities — and one that has a deeper history than you might think.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eTracing the origins of contemporary conflicts over art, heritage, memory, and colonialism, \u003ci\u003eEvery Monument Will Fall\u003c\/i\u003e joins the dots between the building of statues, the founding of academic disciplines like archaeology and anthropology, and the warehousing of stolen art and human skulls in museums — including the one in which he is a curator.\u003cbr\u003e\u003cbr\u003ePart history, part biography, part excavation, the story runs from the Yorkshire wolds to the Crimean War, from southern Ireland to the frontline of the American Civil War, from the City of London to the University of Oxford — revealing enduring legacies of militarism, slavery, racism and white supremacy hardwired into the heart of our cultural institutions.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eEvery Monument Will Fall \u003c\/i\u003eoffers an urgent reappraisal of how we think about culture, and how to find hope, remembrance and reconciliation in the fragments of an unfinished violent past. 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Take a deep dive into the bizarre psychology of secrecy with Andrew Gold, award-winning investigative journalist and host of \u003ci\u003e heretics.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003eWe all keep secrets. 97 per cent of us are hiding a secret right now, and on average we each hold thirteen at any one time. There's a one-in-two chance that those secrets involve a breach of trust, a lie, or a financial impropriety. They are the stuff of gossip, of novels and of classic dramas; secrets form a major part of our hidden inner lives.\u003cbr\u003e\u003cbr\u003eAndrew Gold knows this better than anyone. As a public figure, he has found himself the unwitting recipient of hundreds of strangers' most private revelations. This set him on a journey to understand this critical part of our societies and lives. Why do we keep secrets? Why are we fascinated by those of others? 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